
To learn more about ICDA or to request
an estimate for any of our services,
please submit the online form found on
our Contact Us Page
or call 214-821-9633. |
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Irene
Corey Design Associates was
founded in 1983. Irene Corey, backed by national and international
recognition for her theatrical designs, decided it was time to
tackle something new. |
| She teamed up with her niece, Suzanne
Lockridge to form ICDA. Together they began their imaginative
journey into the world of foam character costumes, three dimensional
company logos, and walk-around body puppets. Now,
with a client roster ranging from national restaurant chains to
feature film productions, ICDA has expanded to include a
staff of highly qualified designers and artisans. Everyone has
extensive costume experience backed by college degrees in related
fields of study. We
have a passion for what we do. Combined with our zest for detail
and quality, we work as a team committed to fabricating the best
creature possible. We see every assignment as a challenge. |
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Irene
Corey's designs have influenced the theater world for many generations.
The look of more than one long-running production has been derived
from her two widely used books, The Mask of Reality: An Approach
to Design for Theater, and The Face is a Canvas. Her
pioneering animal makeup and original style still make their
way into the theatre world. Her costume and makeup designs for The
Book of Job, inspired by Byzantine mosaics, have been featured
in many major publications. Job ran for two decades as
an outdoor production and has toured in the U.S. and Europe.
It was seen on the BBC and South America. Romans by St. Paul,
with her giant "carved" saints, appeared on CBS and in a cathedral
tour of England. Her splendid animals romped through the race
of The Tortoise and the Hare at the Venice Biennial, England,
South Africa, and the U.S.
After
achieving success in the business world, Irene has decided to
turn her attentions to painting and working on her next book.
To
order one of Irene's books, The Mask of Reality: An Approach
to Design for Theater, or The Face is a Canvas, visit
the Anchorage
Press Plays website. |
| As
designer and business manager of ICDA, Suzanne Lockridge
brings a lifetime of experience in design and construction
to the organization. She received her BA degree from the University
of Texas with an emphasis on painting and design. Before co-founding ICDA she
apprenticed with Irene, assisting in the construction of costumes
and properties for theatrical productions. An accomplished
artisan and sculptor, she brings a firm understanding of the
creative and fabrication process. Her sharp eye is watchful
of every detail, setting high standards for production and
service. Under her guidance, ICDA has established a
consistent reputation for creating character costumes of high
quality and originality. |
| Kathy Kreuter graduated cum laude from Texas Wesleyan University. Before joining us in 1994 she worked as a scenic artist and sculptor in many area theatres and shops. In addition to her work as a draper for
ICDA, creating our patterns, she is equally adept at working out the mechanics and materials involved in activating character costumes. Kathy continues to expand her knowledge of costuming by collaborating on special projects with the theatre departments of the University of Dallas, SMU and UT Austin, as well as Customworks, Stageworks and Jim Henson’s Creature Shop. In her spare time, she creates beautiful hand built pottery that can be seen at Kathy
Kreuter Pottery |
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Robin
has been with the company since 1997. She received her BA
in theater from Northeastern State University and her MS
in theater from the University of North Texas. Before joining ICDA she
worked at The Utah Shakespearean Festival, Santa Fe Opera,
New Stage Theater in Jackson MS, on Wishbone for Big
Feats Entertainment, Barney and Friends for
The Lyon's Group, and Dallas Theatre Center. Besides working
in the costume shop, she also produces our advertising material,
website, and takes care of our computer systems. |
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These are
the real bosses. |
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